‘Haunted Mansion’ Director Justin Simien Tried Having Jamie Lee Curtis Film Her Role From Inside a Real-Life Crystal Ball 'Wham!' Is A Buddy Film Disguised As A Music Documentary Sinéad O'Connor: Irish Singer and 'Nothing Compares' Subject Dead at 56 ‘Nothing Compares’ Makes A Convincing Case For The Late Sinead O’Connor’s Canonization Tori Kelly Shares Positive Update After Her Recent Hospitalization, but Reveals "There Are Still Some Things to Uncover" Ice Cube Claims in New Interview With Tucker Carlson He's Lost $9 Million And Counting After He Refused To Get The COVID Vaccine The 'Victoria's Secret Fashion Show' Returns: Reimagined "Fashion Event" And Documentary Special to Stream on Prime Videoįormer Charles Manson Family Member Recalls Being Forced To Burn Herself in New Netflix Doc: "We Didn't Feel Pain" Stream It Or Skip It: 'After the Bite' on HBO and Max, a Profound, Fascinating Documentary About the Relationship Between Humans and Sharks Javon "Wanna" Walton, 17-Year-Old 'Euphoria' Star and Amateur Boxer, Partners with Jake Paul in Boxing Deal Obsessed With 'Oppenheimer'? Then Stream 'Manhattan' Right Now 'Oppenheimer' IMAX 70mm Tickets Are Going For Upwards Of $500ĭoes 'Oppenheimer' Pass The Bechdel Test? Stream It Or Skip It: 'Mark Normand: Soup To Nuts' On Netflix, A Comedian Who Likes To Say He's Kevin Hart While Delivering Zingers More Like Larry David Is 'Haunted Mansion (2023)' Streaming on Netflix or Disney+? Simu Liu Denies Any Awkwardness Between Him and 'Barbie' Co-Star Ryan Gosling in the Wake of Testy Viral Video: "I'd Beach off With This Kenadian Again in a Heartbeat" It does show Lynch as a humanist filmmaker, not a cynic, and that alone elevates it above mere carnage.TV Legend Norman Lear Celebrates His 101st Birthday With Touching Message: “I Am Now A 101-Year-Old Toddler” But I'll keep with me the powerful noir engine that creates the fearful dreaming two women, mother and daughter, who are traumatized by something they (she) allowed to happen (rape, husband's murder) and this is now spilling and surging through the film as helplessness to resist evil (most notably seen in the helplessness to avert the PI's death and the Bobby Peru scene). It's Lynch letting out steam more than anything. Now in my third viewing, it continues to be my least favorite of his post- Velvet long works that constitute the Lynch world but still one of the most endearing messes I know. Except this one came from a book Lynch was given while finishing the Twin Peaks pilot and decided to do not so much summoned from his world as he visited someone else's and came back with impressions. They are intellectuals, he's spiritual (not the same as pious). But the Coens think up a story and cleanly work out its mechanism, Lynch's work seems to come from prolonged stays in meditative habitation of that world. ![]() Blue Velvet and Raizing Arizona, I can't think of one without the other, both with a dreamlike noir engine that skewers idyllic middle America. The Coens for example, who are closest to him in several ways, both work with metaphysics and indulge loves for song, noir and dreams. What sets Lynch apart is that others create movies as self-enclosed worlds for Lynch it's rather one larger, open-ended world that he carries with him everywhere and now and then summons some part of it in movie form. But can he be thought of as one of them now? No indeed and that's how much he has evolved. At this point Lynch could still be thought of as one among the quirky bunch that included the Coens, Stone and soon Tarantino. ![]() It's the same audience that was going to receive Pulp Fiction with plaudits in a few years. I would have to guess that the French saw some of this as archetypally tweaked America, quintessential in the fracture. It was awarded the top prize that year at Cannes. It has enough going for it either way a road movie given to us with a gonzo eye, crime and anguish as kitchen- sink ritual, archetypally American male and female avatars of sexual youth, a sense of wanting to just love but the world is a wicked place, and if that's not enough something else will come along in the next scene. It speaks just as well about every other film he made of course where a certain amount of fear makes the things to dream about stand out from the night as all the more urgent. ![]() This is how Lynch described his attraction to Gifford's book.
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